Guest post by Meredith Drees In 1959 Iris Murdoch wrote “The Sublime and The Good,”[1] in order to sketch a “definition [of art] through a consideration and criticism of Kant’s” (S&G, 43). Murdoch’s general view of aesthetics is strongly influenced by Kant’s, but she argues that his theory must be rejected because it “fails to … Continue reading Tragic Freedom: Murdoch on the Sublime
