Guest post by Meredith Drees In 1959 Iris Murdoch wrote “The Sublime and The Good,” in order to sketch a “definition [of art] through a consideration and criticism of Kant’s” (S&G, 43). Murdoch’s general view of aesthetics is strongly influenced by Kant’s, but she argues that his theory must be rejected because it “fails to … Continue reading Tragic Freedom: Murdoch on the Sublime
Guest post by Sally Cloke In her article in this journal, Meredith Drees provides a clear and succinct explanation of Kant’s concept of the sublime, that sensation of terror mixed with satisfaction—“negative pleasure” as Kant expresses it [i](CJ 23:245)—that is frequently experienced when we observe the natural world at its most formidable and threatening. But … Continue reading The Sublime Spectacle of the Coronavirus Curve
Guest post by Meredith Drees In Kant’s Critique of Judgment, he states that “sublime is what even to be able to think proves that the mind has a power surpassing any standard of sense” (25:250). My aim in this essay is to argue that experiences of sublimity give us a glimpse of morality and true … Continue reading Sublimity as a Symbol of Moral Dignity
On August 16, 2017, I led a workshop called Philosophy of Design: Aesthetics to the Graphic Design Studio at Artist for Humanity. First of all, if you don't know about them, you will be inspired to learn more. They employ about 150 teenagers to learn and make art. They all begin in the painting studio … Continue reading Aesthetics for Teens!
THE SUBLIME IN MODERN PHILOSOPHY: AESTHETICS, ETHICS, AND NATURE. By Emily Brady. Cambridge: Cambridge University Press, 2013. Pp. Xi+227. Hard Cover $72.00, ISBN: 9780521194143. People commonly refer to pleasurable experiences of nature as experiences of beauty. Sometimes, however, beauty does not seem to be the appropriate term, causing some people to turn to the sublime. … Continue reading Emily Brady’s The Sublime in Modern Philosophy